That song was so awful, heroin overdose would have been betterHeroin
That song was so awful, heroin overdose would have been betterHeroin
This. They're the '96 Cats of rock.Its Zeppelin to me. Musicianship, songwriting, swagger, etc. Theyve got it all. No one else has everything they had at every position. Every single guy was a friggin phenom. JPJ was probably the greateat of them and is the most underrated.
Old Chicago is just incredible stuff. Talk about musicianship. Steely Dan is another primo example of real talent honing their craft and writing pop savvy rock awesomeness whilst maintaining their integrity.Just watched Chicago at Tanglewood, 1970, on YouTube channel. Piped it thru sound system and cranked it up. Pretty damn awesome. And yes, I know, Peter Cetera blah blah. But, I'm telling you Terry Kath was a badass on lead guitar and vocals.
Every band did this. And before the advent of popular music in the terms we think of today, its precisely what EVERY band did. They would gather wherever..supper clubs, juke joints, dances, palaces...wherever you want to jump back to in time....and would play music as written. Its why we have sheet music. The idea of a "band" is only a very recent in the grand scheme of things invention. Do you criticize a good chef for opening recipe books, using those recipes and then perhaps tweaking them a touch to suit their own personal taste? Why is it any different for a band of any sort to take an old standard and then play it and make it their own. The notion that it somehow makes them lesser is so patently misguided and absurd. If an artist tries to steal a song or idea and present it as wholly their own and completely original that is an entirely different story. Everyone was fully aware Brits were playing blues standards and jamming out on them. I dont understand why people think this is some sort of valid point of criticism or contention.Zeppelin stole everything! I'd pick GNR over them. I don't think the Beatles or rolling stones wrote most of their material either, especially their earlier stuff and I don't mean the covers everyone know are covers.
Zeppelin stole everything! I'd pick GNR over them. I don't think the Beatles or rolling stones wrote most of their material either, especially their earlier stuff and I don't mean the covers everyone know are covers.
+1.What an ignorant take.
I’m not saying it’s Lynyrd Skynyrd but you have to judge their body of work within the short window it was created in. From their first debut album in 73, they had four years before the plane crash in 77. You could probably pick out the best four year run of any band but that’s not even fair. We don’t know if that was Lynyrd Skynyrds best run, it was their only run.
May 76 to Oct 77 is hard for anyone to compete with. Once Steve Gaines joined, it was a whole 'nother level.I’m not saying it’s Lynyrd Skynyrd but you have to judge their body of work within the short window it was created in. From their first debut album in 73, they had four years before the plane crash in 77. You could probably pick out the best four year run of any band but that’s not even fair. We don’t know if that was Lynyrd Skynyrds best run, it was their only run.
I know what history says about the Beatles, doesn't mean it's true. None of the Beatles knew how to read music or much about music theory and it's not like they were some punk band.+1.
Hell the Beatles and Stones were writing songs for other people in addition to their own stuff. Certainly the argument can be made that Zeppelin stole a lyric or lick here and there (I think on a couple of songs they actually settled the case and paid someone). But the Beatles and the Stones? Uh, better brush up on your pop/rock history.
There's quite a lot of musicians that can't read music or know anything about music theory.I know what history says about the Beatles, doesn't mean it's true. None of the Beatles knew how to read music or much about music theory and it's not like they were some punk band.
How did their songwriting develop leaps and bounds from stuff like please please me and love me do to Eleanor Rigby, A day in the life, in 2 to 3 years with very demanding tour and pr schedules? They weren't classical trained musicians, Martin had to have had a big hand in Eleanor Rigby and A day in the life. It doesn't seem realistic for a band to dominate pop music like nsync at the time and then 2 years later they go on to write some of the most timeless and influential music ever, influencing Pink Floyd etc. I think there was a lot behind the Beatles success, they had a lot of help.
I know what history says about the Beatles, doesn't mean it's true. None of the Beatles knew how to read music or much about music theory and it's not like they were some punk band.
How did their songwriting develop leaps and bounds from stuff like please please me and love me do to Eleanor Rigby, A day in the life, in 2 to 3 years with very demanding tour and pr schedules? They weren't classical trained musicians, Martin had to have had a big hand in Eleanor Rigby and A day in the life. It doesn't seem realistic for a band to dominate pop music like nsync at the time and then 2 years later they go on to write some of the most timeless and influential music ever, influencing Pink Floyd etc. I think there was a lot behind the Beatles success, they had a lot of help.