A new book takes up the sui-generis masterpiece and unearths the largely forgotten context from which it emerged.
www.newyorker.com
For Van, I would say Madame George on Astral Weeks. Blending jazz, blues, and strings is not something this artist should have been able to pull off at that time in his career. It was basically his second album.
Good question for The Beach Boys. I would say God Only Knows on Pet Sounds primarily because he’s blending harmonies at a time when frankly audio engineering was not that advanced. No wonder it took countless takes. Keep in mind Wilson was 23 years old at the time and he’s directing a room full of accomplished musicians with a great deal more experience.
en.wikipedia.org