He’ll be with me at chats (2)your son's high school garage band?
He’ll be with me at chats (2)your son's high school garage band?
No way bro these boys are old school lean punkers from same place as my girl:
for you may I suggest an evening with s&g. You could take your mom.
No way bro these boys are old school lean punkers from same place as my girl:
for you may I suggest an evening with s&g. You could take your mom.
I'm not. I know my sheeeeeeeetttt.......
Here’s some Jim Croce just 4 uSounds like someone on a bullhorn trying to shout over the generator running in the background.
way too many bong hitsYou most definitely are....I guess that means you don't know sheeeeeeeetttt.....
What I Am
Song by
Edie Brickell & New Bohemians
I'm not aware of too many things
I know what I know, if you know what I mean
I'm not aware of too many things
I know what I know, if you know what I mean
Philosophy is the talk on a cereal box
Religion is the smile on a dog
I'm not aware of too many things
I know what I know, if you know what I mean, d-doo yeah
Choke me in the shallow water
Before I get too deep
What I am is what I am
Are you what you are or what?
What I am is what I am
Are you what you are or?
Oh, I'm not aware of too many things
I know what I know, if you know what I mean
Philosophy is a walk on the slippery rocks
Religion is a light in the fog
I'm not aware of too many things
I know what I know, if you know what I mean, d-doo yeah
Choke me in the shallow water
Before I get too deep
Choke me in the shallow water
Before I get too deep
What I am is what I am
Are you what you are or what?
What I am is what I am
Are you what you are or what?
What I am is what I am
Are you what you are or what you are? And
What I am is what I am
Are you what you are or what?
Choke me in the shallow water
Before I get too deep
Choke me in the shallow water
Before I get too deep
Choke me in the shallow water
Before I get too deep
Choke me in the shallow water
Before I get too deep
Choke me in the shallow water
Before I get too deep
Don't let me get too deep
Don't let me get too deep
Don't let me get too deep
Don't let me get too deep
What I am is what I am
Are you what you are or what?
What I am is what I am
Are you what you are or what?
What I am is what I am
Are you what you are or what you are? And
What I am is what I am
Are you what you are or what?
Your line of work? Tell me you sell acid without actually telling me you sell acidhad dinner with Paul Simon a couple years ago, oh more than 10 years actually, had a very nice private meeting and dinner after a performance. Very smart and interesting guy. We were working on deep brain stimulation project at the time and he wanted to talk with us about it and implications for consciousness..........
Garfunkel had a MA in Mathematics. He’d be a great dinner companion.had dinner with Paul Simon a couple years ago, oh more than 10 years actually, had a very nice private meeting and dinner after a performance. Very smart and interesting guy. We were working on deep brain stimulation project at the time and he wanted to talk with us about it and implications for consciousness..........
Psychiatrist who works on novel treatments for depression. Acid selling days way in the past. But do work extensively with ketamine and experimental psychedelic medication in setting mood disorders, so I guess sorta sell acid........Your line of work? Tell me you sell acid without actually telling me you sell acid
This is pretty good. But, for someone like Taylor Swift - who I would rate as an A+ songwriter and performer, less so on the ’musicality’ end of things - she fits a lot of the subjective criteria - it’s obvious why she is so well regarded. Popularity is another element. Tool is maybe the most accomplished band I’ve ever seen live (save Ellis Marsalis) but they’re not universally regarded in elite musical circles because they don’t pander to the mainstream. They probably have the best guitarist, drummer and bassist in modern rock. Vocalist too but not as definitive.First, maybe "characteristics" is a better word than "criteria".
Off the top of my head, but not limited to....
Melodically - does the singer have range, are the melodies creative/intricate (opposed to a lot of repeated notes or basic like a nursery rhyme) but still have a good "hook"? Use of vocal harmonies. Instruments - do they play more than your typical pentatonic scale? Harmonic minor or other altered scales? Can they follow the chord changes and highlight chord tones? Multiple intermingled melodic lines (thinking more classical/chorale).
Harmonically - Does the song use more than just 1, 4, 5 chords? Color notes in chords? 7th/9th chords? Does the song use key modulations or other non-standard chord changes? Voice leading in chord changes? Use of leading chords like diminished and altered chords?
Rhythm - if it's drum based, is the tempo tight and consistent? Complex beats/fills, odd/mixed time signatures? Polyrhythms?
Arrangement - Multiple different sections in a song? Building and telling a story (ex. Stairway to Heaven). Adding in different instrumentation at key points.
Musicians - Just having better musicians makes a song better. You're a guitar player. You know when one guy is better than another from a technical standpoint.
Lyrics are much more subjective, but I feel like most people can tell that Dylan lyrics are better than the Back Street Boys.
Does it mean that a song that lacks many of these can't be an enjoyable song to listen to? Hell no.
Garfunkel had a MA in Mathematics. He’d be a great dinner companion.
Weird fact about me: During my days of wearing a hearing aid (I don’t anymore) I could recognize three songs, Cecelia by S&G, School’s Out by Alice Cooper, and The Rose by Bette Midler. Just putting that out there.
I assume you despise The Replacements / Paul Westerberg based on those criteria.First, maybe "characteristics" is a better word than "criteria".
Off the top of my head, but not limited to....
Melodically - does the singer have range, are the melodies creative/intricate (opposed to a lot of repeated notes or basic like a nursery rhyme) but still have a good "hook"? Use of vocal harmonies. Instruments - do they play more than your typical pentatonic scale? Harmonic minor or other altered scales? Can they follow the chord changes and highlight chord tones? Multiple intermingled melodic lines (thinking more classical/chorale).
Harmonically - Does the song use more than just 1, 4, 5 chords? Color notes in chords? 7th/9th chords? Does the song use key modulations or other non-standard chord changes? Voice leading in chord changes? Use of leading chords like diminished and altered chords?
Rhythm - if it's drum based, is the tempo tight and consistent? Complex beats/fills, odd/mixed time signatures? Polyrhythms?
Arrangement - Multiple different sections in a song? Building and telling a story (ex. Stairway to Heaven). Adding in different instrumentation at key points.
Musicians - Just having better musicians makes a song better. You're a guitar player. You know when one guy is better than another from a technical standpoint.
Lyrics are much more subjective, but I feel like most people can tell that Dylan lyrics are better than the Back Street Boys.
Does it mean that a song that lacks many of these can't be an enjoyable song to listen to? Hell no.
Swift is a very good song writer. I would definitely not give her an A+ though. Good performer - don't know, don't care, that has nothing to do with the music for me. She does write good melodies and is a good singer. However, she ain't writing all the songs herself. The guys producing them get a lot more credit than they deserve. You don't have to believe me, but you should believe Rick Beato, who knows a thing or two about music production.This is pretty good. But, for someone like Taylor Swift - who I would rate as an A+ songwriter and performer, less so on the ’musicality’ end of things - she fits a lot of the subjective criteria - it’s obvious why she is so well regarded. Popularity is another element. Tool is maybe the most accomplished band I’ve ever seen live (save Ellis Marsalis) but they’re not universally regarded in elite musical circles because they don’t pander to the mainstream. They probably have the best guitarist, drummer and bassist in modern rock. Vocalist too but not as definitive.
Your cell?Psychiatrist who works on novel treatments for depression. Acid selling days way in the past. But do work extensively with ketamine and experimental psychedelic medication in setting mood disorders, so I guess sorta sell acid........
“Kncrefivie“ ?The Rose is f*cking kncrefivle. They do not make them like that anymore.
MushroomsPsychiatrist who works on novel treatments for depression. Acid selling days way in the past. But do work extensively with ketamine and experimental psychedelic medication in setting mood disorders, so I guess sorta sell acid........
I once got green pyramids (acid) from a man in Belfonte who called himself god.Your line of work? Tell me you sell acid without actually telling me you sell acid
Yes, the bubble gum Beatles epitomized rock n roll. At its worst.
Overrated based on what, the millions of albums they sold or all the sold out concerts they performed?
FIFY before someone knocks at your doorso I guess sortasellprescribe acid........
Tool to me is an example of talent wasted. Amazing musicians, but their songs to my ear are kinda terrible. Danny Claire their drummer has outrageous hand talent drops in and out of various poly rhythms seamlessly. But put it all together and meh !This is pretty good. But, for someone like Taylor Swift - who I would rate as an A+ songwriter and performer, less so on the ’musicality’ end of things - she fits a lot of the subjective criteria - it’s obvious why she is so well regarded. Popularity is another element. Tool is maybe the most accomplished band I’ve ever seen live (save Ellis Marsalis) but they’re not universally regarded in elite musical circles because they don’t pander to the mainstream. They probably have the best guitarist, drummer and bassist in modern rock. Vocalist too but not as definitive.
Swift is a very good song writer. I would definitely not give her an A+ though. Good performer - don't know, don't care, that has nothing to do with the music for me. She does write good melodies and is a good singer. However, she ain't writing all the songs herself. The guys producing them get a lot more credit than they deserve. You don't have to believe me, but you should believe Rick Beato, who knows a thing or two about music production.
Don't know much Tool, but they seem to be very good musicians and the songs I've heard are pretty good (better than Swift for me).
Not sure if you are saying that popularity is a factor in classifying something as good music, but I would would not consider a factor at all. More often than not, the best music is played to the smallest audiences.
You are obviously a musician and know music, but....We'll agree to disagree....First, maybe "characteristics" is a better word than "criteria".
Off the top of my head, but not limited to....
Melodically - does the singer have range, are the melodies creative/intricate (opposed to a lot of repeated notes or basic like a nursery rhyme) but still have a good "hook"? Use of vocal harmonies. Instruments - do they play more than your typical pentatonic scale? Harmonic minor or other altered scales? Can they follow the chord changes and highlight chord tones? Multiple intermingled melodic lines (thinking more classical/chorale).
Harmonically - Does the song use more than just 1, 4, 5 chords? Color notes in chords? 7th/9th chords? Does the song use key modulations or other non-standard chord changes? Voice leading in chord changes? Use of leading chords like diminished and altered chords?
Rhythm - if it's drum based, is the tempo tight and consistent? Complex beats/fills, odd/mixed time signatures? Polyrhythms?
Arrangement - Multiple different sections in a song? Building and telling a story (ex. Stairway to Heaven). Adding in different instrumentation at key points.
Musicians - Just having better musicians makes a song better. You're a guitar player. You know when one guy is better than another from a technical standpoint.
Lyrics are much more subjective, but I feel like most people can tell that Dylan lyrics are better than the Back Street Boys.
Does it mean that a song that lacks many of these can't be an enjoyable song to listen to? Hell no.
He can sound a bit arrogant at times but he knows his stuff. Great interviews. And he is a really good jazz guitarist.believe Rick Beato
I’ve been consuming him like crack. He’s so enjoyable
There is still subjectivity. My initial rebuttal was to the poster that said it was entirely subjective. As I replied, it's not totally subjective.You are obviously a musician and know music, but....We'll agree to disagree....
Firstly, I would still label most of your criteria as subjective.
Melodies "creative/intricate"? By what measure? Both of those words are subjective ones.
I-IV-V songs can't be good? Between I-IV-V and I-IV-V-vi you're talking tens of thousands of songs. Are none of them any good? No songs written in 12 bar blues make the cut? I would argue a song with a bunch of sus2 and 7th chords isn't necessarily "better" than a 1 4 5...just different.
Talking Heads Life During Wartime is 2 chords and an incredibly simple and repetitive melody...but dayumn...it works. At least in my opinion.
If I sum up your criteria (with the possible exception of musicians), essentially you've labeled good music as "complex" music. I don't feel like every song needs to be Stairway to Heaven/Bohemian Rhapsody/LA Woman/Paradise by the dashboard light rock opera type songs with multiple moods, movements and tempos. Sometimes it just needs to be fun. Heck, by your criteria we are eliminating nearly all early rock and roll.
Analogy....not every movie should be The Godfather. Sometimes you need a Die Hard.
PS, I am NOT a guitar player, I am a singer that plays guitar![]()
What you are saying applies much more broadly than RR music, but to music writ large. But rock and roll also requires a certain element of heart or soul or drive or lust or raunch or pain or ecstasy that is emotional and visceral and not technical. I met Willie "Big Eye" Smith once who is a Chicago blues drummer (he is playing in the street scene with JLH in the Blues Brothers) and he holds his sticks in a very unusual way but plays with amazing soul. I play drums and was like how do you do that and he said "It aint what you do with your hands its what you do in here" and he starts hitting me in the middle of the chest. "its your heart boy". Peak moment for a hobby drummer..........He can sound a bit arrogant at times but he knows his stuff. Great interviews. And he is a really good jazz guitarist.
Btw almost 2 million views of the AdP KEXP performance. The boys are blowing up.
There is still subjectivity. My initial rebuttal was to the poster that said it was entirely subjective. As I replied, it's not totally subjective.
Melodies can be creative/intricate by using various techniques - surrounding target notes, using arpeggio runs mixed with scalar runs, using notes that are outside of the key, etc.
I did not say I-4-5 songs can't be good. A song doesn't have to have all of the characteristics that I mentioned. I just listed some that can make a song better. There are plenty of 2 chord vamps that are great songs, but they all have other characteristics that make up for simple harmonic structure.
Overall, music complexity often does make a song better. It's why The French Laundry is better than McDonalds. One diver is better than another. It's why SRVs version of Mary Had a Little Lamb is better than the version your kid sang at the 3rd grade class concert. Like, objectively better.
I'm certainly not "eliminating" nearly all rock and roll. I'm not eliminating anything. Like I said at the end of the post - Does it mean that a song that lacks many of these can't be an enjoyable song to listen to? Hell no.
Yeah, I’m talking about all forms of music.What you are saying applies much more broadly than RR music, but to music writ large. But rock and roll also requires a certain element of heart or soul or drive or lust or raunch or pain or ecstasy that is emotional and visceral and not technical. I met Willie "Big Eye" Smith once who is a Chicago blues drummer (he is playing in the street scene with JLH in the Blues Brothers) and he holds his sticks in a very unusual way but plays with amazing soul. I play drums and was like how do you do that and he said "It aint what you do with your hands its what you do in here" and he starts hitting me in the middle of the chest. "its your heart boy". Peak moment for a hobby drummer..........
The Beatles benefitted from timing as much as anything. People were looking for something different…rock and roll was being invaded by old timers that record companies were trying to turn into rock and roll idols. They brought in a whole new sound.LOL. Blows my mind people think The Beatles are bad/overrated. Few bands have 100 songs worth ranking and Rolling Stone did a list for them. My favorites are I Want to Hold Your Hand, Come Together, Hey Jude, While My Guitar Gently Weeps, and Hello, Goodbye. They were a movement - much like Nirvana after them in the 90’s.
May I suggest Billy Joel for you at the garden. Your own seat and everything. You could make a boys night with your bros
maybe hold hands
Probably not a slam dancing pit.Not true at all. Bruce Springsteen, Pearl Jam, Dave Matthews Band and U2 among others have pits at there shows.
Many lists have Jon as one of the best front men in the business. Like them or hate them, they deserve to be in the HOF.The Beatles helped pioneer the Merseybeat sound, but they pretty much abandoned it after their 3rd album (btw, their first 3 albums included numerous covers of the fore-bearets of rock) and pretty much encompassed every genre/musical style, so you're dismissing the bulk of their catalog.
Which is why they continued to have a career long after the Merseybeat sound fell out of flavor, whereas bands like the Dave Clark 5 (the DC5 were emblematic of the similar Tottenham sound style) did not.
Oh, I don't know - being included on many worst bands lists (popularity means jack as McDonald's is the biggest and most successful burger chain), including at/near the top.
Hair metal isn't one of my preferred genres, but there are/were numerous bands that had better songs/were better musically (and didn't have the grating voice of Jon) and weren't generic for their genre.
There are bands like Oasis and the Red Hot Chili Peppers who do absolutely nothing for me, but at the same time, can still acknowledge that they are worthy of induction.
Going back to the Beatles, the member with the best post-Beatles career was George, in large part due to being a member of the Traveling Wilburys (they go beyond the definition of a "supergroup").
Just too bad that they didn't release more stuff due to the untimely passing of Roy
.
He did a really good interview with Jimmy Webb about Wichita Lineman. Really good.He (Beato) can sound a bit arrogant at times but he knows his stuff. Great interviews. And he is a really good jazz guitarist.
If you like a band and no one else does, chances are pretty good that you’re the one that’s wrong about their talent. Every one of these unheard of bands would kill to be selling records, that’s why they’re doing it unless it’s a side gig.All these lists are meaningless to me. The lists = top 40 lists. People are commenting on “they sold so many records” ffs
I’m listening to wet leg in the tub. Put down your top 40 and dig into their first 3 records DAMM
sidebar the wet leg drummer is a fvcking ing monster
He's not wrong, though. Record sales are a poor measure of quality.If you like a band and no one else does, chances are pretty good that you’re the one that’s wrong about their talent. Every one of these unheard of bands would kill to be selling records, that’s why they’re doing it unless it’s a side gig.