Most overrated 'classic' rock song

DSmith21

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Anyone who think no good rock music has been made in the last 20 years significantly overrates the time period before then.
What are the great rock acts that have come out in the past 20 years that can stand with The Stones, Zeppelin, The Who, U2, G n R, Foo Fighters, etc.? There have been some good songs in the 2000's but I can't think of an act that will be considered an all time great. Sadly, Coldplay is the top album selling "rock" act to come out in the 2000's (first album was actually 1999).
 
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Dr. H Lecter

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It's definitely overrated, more so than #369 Open Your Hole by Delray Diddles (amazing ambiance here) or #396 Jet Airliner by Steve Miller Band (what a classic, and it makes me think too)... but getting past #250 Walk This Way by Aerosmith is kind of like the mendoza line of overrated and it's not at that level IMO.
Explain your metric for compiling your list. Also did you mean Mendoza rather than Maginot? The former was pretty funny.
 
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What are the great rock acts that have come out in the past 20 years that can stand with The Stones, Zeppelin, The Who, U2, G n R, Foo Fighters, etc.? There have been some good songs in the 2000's but I can't think of an act that will be considered an all time great. Sadly, Coldplay is the top album selling "rock" act to come out in the 2000's (first album was actually 1999).

The Black Keys
Federal Charm
The Temperance Movement
The Blackwater Fever
Royal Blood
Black Pistol Fire
Radio Moscow
The Bonnevilles
Black Country Communion
Left Lane Cruiser
The Rides
The Winery Dogs
Royal Southern Brotherhood
Supersonic Blues Machine
The Steepwater Band
The Strypes
The Record Company
Los Lobos
Kenny Wayne Shepherd Band
Indigenous
Henry’s Funeral Shoe
The Heavy
Gov’t Mule
The Fumes
Black Joe Lewis and the Honeybears

Will any of these be as famous or as widely known as previous classic rock bands? Clearly, no! But they all have put out some really good music. It’s just that classic rock no longer draws the attention that it used to.
 

Dr. H Lecter

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The Black Keys
Federal Charm
The Temperance Movement
The Blackwater Fever
Royal Blood
Black Pistol Fire
Radio Moscow
The Bonnevilles
Black Country Communion
Left Lane Cruiser
The Rides
The Winery Dogs
Royal Southern Brotherhood
Supersonic Blues Machine
The Steepwater Band
The Strypes
The Record Company
Los Lobos
Kenny Wayne Shepherd Band
Indigenous
Henry’s Funeral Shoe
The Heavy
Gov’t Mule
The Fumes
Black Joe Lewis and the Honeybears

Will any of these be as famous or as widely known as previous classic rock bands? Clearly, no! But they all have put out some really good music. It’s just that classic rock no longer draws the attention that it used to.

MTV killed music by making looks more important than talent. Dancing vs. playing. Oddly now it is females rather than males at the top of music sales... and what happened to guitars?
 

J_Dee

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It’s just that classic rock no longer draws the attention that it used to.

I'd bet that a number of "classic" bands and songs from the 20th century wouldn't garner a lot of traction if they debuted today. Over the years a lot of musicians definitely benefitted from peoples' lack of access to variety, but nowadays, fortunately, since anyone can pretty much get any music they want immediately on demand, we aren't stuck with having to listen to the same stale products that the radio and television have been hawking over and over and over for decades.
 
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Dr. H Lecter

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I'd bet that a number of "classic" bands and songs from the 20th century wouldn't garner a lot of traction if they debuted today. Over the years a lot of musicians definitely benefitted from peoples' lack of access to variety, but nowadays, fortunately, since anyone can pretty much get any music they want immediately on demand, we aren't stuck with having to listen to the same stale products that the radio and television have been hawking over and over and over for decades.
There is a reason that the music from the classic era of rock music still is popular today, even with kids. Its because it is GOOD. The band era had actual talented musicians who wrote and performed music without the aid of technology. What you knew of the band was the product that came out of the radio.....not from the visual of seeing them sing or perform. That changed in the 80s with MTV. Then the video/visual became more or as important as the music product. Also cRap entered the field. You could just sample a real song for the music beat and then disrespect women or drop effbombs etc... in your cRap rather than learn to play and sing.

Also the ability to simply acquire the song you want took away the desire to purchase an album, and therefore the artists desire to produce 10 songs rather than 1 to just sound commercially acceptable. The industry is destroyed. Taking power away from the music companies is not necessary a bad thing. It (technology) allows "artists" to become heard on their own. That is why we have solo artists rather than bands. I cannot think of any solo artist that I would pay a dime to see....the exception being a famous singer from the golden era still touring. None of the new garbage.
 

Dr. H Lecter

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Yet, the majority of the highest grossing concert tours in the last decade were classic rock acts. I guess old farts have the time and money for expensive concerts.

Yep. That list pretty well says it all and that was just the tip of the iceberg. I will admit that I do not get Ed Sheeran. I do applaud that he breaks my fundamental rules of the current messed up music industry. He is goofy looking and plays guitar. He should have only been allowed to become a star before MTV.
 
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WildcatFan1982

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Yep. That list pretty well says it all and that was just the tip of the iceberg. I will admit that I do not get Ed Sheeran. I do applaud that he breaks my fundamental rules of the current messed up music industry. He is goofy looking and plays guitar. He should have only been allowed to become a star before MTV.

His live show is something to be seen.
That was an excellent list, but The Keys are just great.
I've seen The Black Keys twice. At the Southgate House opening for Sleater-Kinney, and at an in store show at CD Central. They are total ********. But yeah they are great
 

AustinTXCat

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Evolving demographics. Content my mom and dad enjoyed during 50s/60s and me during 70s/80s is slowly falling out of favor with following generations. Nothing new.

Personally speaking, "Stairway to Heaven" and "Freebird" still rank among the greatest in my mind. For Gen-X and Millennials, not so much.
 

FUMods

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Agree 100% and I am in my 60s, listen to 2/3 stuff made in the last 20 years, maybe 3/4, I make a habit of writing down new stuff I hear on WUKY or XM Radio and then loading into Spotify. Even when I listen to the old classic rock acts, I tend to pick their lesser known songs

As previously stated above, most of these songs were/are actually great, they have just been overplayed to the zillionth degree in the last 30 years, which is why I have not listened to WKQQ (classic rock station since its very inception) in probably 20 years or more.

I will weigh in on some of the classic acts, for example, I never understood how ZZ Top, Bob Seger, or Peter Frampton ever got popular to begin with, much less have their old music still plaguing the airwaves decades later. Frampton Comes Alive drove me right up the wall in high school and has not aged well. (Naturally, I fully expect one of the next 3 posts to tell me Frampton is a musical genius :p )
Obviously you're not a guitar player. Its OK to dislike any musical act... but calling it "overrated"? Lol...


Frampton Comes Alive! is a double live album by English rock musician Peter Frampton released in 1976. It is one of the best-selling live albums in the United States. "Show Me the Way", "Baby, I Love Your Way", and "Do You Feel Like We Do" were released as singles; all three reached the Top 15 on the Billboard Hot 100, and frequently receive airplay on classic rock radio stations. Following four solo albums with little commercial success, Frampton Comes Alive! was a breakthrough for the artist.

Released on January 6, 1976, it debuted on the charts at 191. The album reached number one on the Billboard 200 the week ending April 10, 1976, eventually spending a total of 10 non-consecutive weeks in the top spot through October. It was the best-selling album of 1976, selling over 8 million copies in the US[2] and becoming one of the best-selling live albums to date, with estimated sales of 11 million worldwide.[3]

Frampton Comes Alive! was voted "Album Of The Year" in the 1976 Rolling Stone readers poll. It stayed on the chart for 97 weeks and was still No. 14 on Billboard's 1977 year-end album chart. It was ranked No. 41 on Rolling Stone's "50 Greatest Live Albums of All Time" list.[4] Readers of Rolling Stone ranked it No. 3 in a 2012 poll of all-time favourite live albums.[5]
 

WildcatFan1982

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AustinTXCat

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Honestly, relatively few of 60s/70s/80s "classic rock" songs are ever overrated as far as I'm concerned. It's important to remember external influences back then. No YouTube, Google or really anything else aside from face-to-face acoustics, radio, occasional live performances and sheet music existed in those days.

Classic rock is still appreciated, and for very good reasons.
 

AustinTXCat

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Honestly, this thread hasn't really begun until we get @_Mav_ 's take on Bruce Springstein..
Mav has some great takes about Bruce. On the other hand, I've got fond memories of driving through southern England and Wales listening to "Born in the USA" during summer 1984 on a cassette desk with a good buddy. British girls loved us. I might recall every track on that album. Awesome memories.
 

LineSkiCat14

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Mav has some great takes about Bruce. On the other hand, I've got fond memories of driving through southern England and Wales listening to "Born in the USA" during summer 1984 on a cassette desk with a good buddy. British girls loved us. I might recall every track on that album. Awesome memories.

Ha, that thread about Sony buying his music rights might be one of the funniest ones in a while.
 

Tskware

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Obviously you're not a guitar player. Its OK to dislike any musical act... but calling it "overrated"? Lol...


Frampton Comes Alive! is a double live album by English rock musician Peter Frampton released in 1976. It is one of the best-selling live albums in the United States. "Show Me the Way", "Baby, I Love Your Way", and "Do You Feel Like We Do" were released as singles; all three reached the Top 15 on the Billboard Hot 100, and frequently receive airplay on classic rock radio stations. Following four solo albums with little commercial success, Frampton Comes Alive! was a breakthrough for the artist.

Released on January 6, 1976, it debuted on the charts at 191. The album reached number one on the Billboard 200 the week ending April 10, 1976, eventually spending a total of 10 non-consecutive weeks in the top spot through October. It was the best-selling album of 1976, selling over 8 million copies in the US[2] and becoming one of the best-selling live albums to date, with estimated sales of 11 million worldwide.[3]

Frampton Comes Alive! was voted "Album Of The Year" in the 1976 Rolling Stone readers poll. It stayed on the chart for 97 weeks and was still No. 14 on Billboard's 1977 year-end album chart. It was ranked No. 41 on Rolling Stone's "50 Greatest Live Albums of All Time" list.[4] Readers of Rolling Stone ranked it No. 3 in a 2012 poll of all-time favourite live albums.[5]
Knew someone would point out how great Frampton is/was. Couldn't listen to it in 1976, and see/hear no reason to start now
 

UK 82

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I'll agree with you on Frampton and Seger. But only partially on ZZ Top. For a lot of Classic Rock bands that were around throughout the 70s and 80s, there seems to be a dividing line of their best stuff, and some sugary, made-for-radio garbage. That line happens somewhere in the late 70s. ZZ Top put out some great songs in the early 70s that (to me anyways) still stands the test of time. Especially from their Tres Hombres and Fandango albums. As they moved into the late 70s, and into the 80s they became stars of MTV and their sound changed dramatically. Compare, if you will, "Beer Drinkers and Hell Raisers" or "Heard It On The X" with their later stuff like "Cheap Sunglasses" or "Legs". Night and day!
ZZ turned away from their blues roots. Early music was excellent.
 
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Peter Frampton is/WAS a top level lead guitar player. He wasn’t my bag for sure, but he did studio work and was well respected in the industry long before that ridiculously overplayed live album came out.
 
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Tskware

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Peter Frampton is/WAS a top level lead guitar player. He wasn’t my bag for sure, but he did studio work and was well respected in the industry long before that ridiculously overplayed live album came out.
Now that I can buy.

But great guitar player respected studio musician and respected by his industry peers does not equal classic artist worthy of 50 years of airplay of his one famous album
 

_Mav_

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Honestly, this thread hasn't really begun until we get @_Mav_ 's take on Bruce Springstein..
My therapist suggested I emulate Jules Winnfield and try reaaaal haaaard to be the shepherd regarding Springsuck, so I’m gonna take a different tack and throw ā€œLaylaā€ out there. It’s basically a 90 second song with a 5 1/2 minute guitar/piano outro stuck on repeat.

Seriously, we get it — you wanted another dude’s wife and you couldn’t have her for a couple years. Sack up, shoot some more black tar, and spare us the maudlin drivel.
 
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Dore95

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The End by the Doors, and really almost everything else by them. Pretentious. Pseudo ā€œpoetryā€. They were huge around the time of the Oliver Stone movie but have since really been sort of forgotten.
 
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For me, it's "Don't Stop Believing" by Journey, or really any karaoke song. When you've worked in an irish pub that does karaoke, some songs are just way too overplayed.

I'd like to add to this song, all the other songs Journey ever recorded. Not a fan of male lead vocals that are an octave higher than most females can reach (that goes double for you, Geddy Lee!), and definitely not a fan of the Power Ballad. Just say no to the Power Ballad.
 
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My therapist suggested I emulate Jules Winnfield and try reaaaal haaaard to be the shepherd regarding Springsuck, so I’m gonna take a different tack and throw ā€œLaylaā€ out there. It’s basically a 90 second song with a 5 1/2 minute guitar/piano outro stuck on repeat.

Seriously, we get it — you wanted another dude’s wife and you could have her for a couple years. Sack up, shoot some black tar, and spare us the maudlin drivel.

Good call on this one. Hard not to appreciate Duane Allman's guitar playing on this song. But, yeah...for sure they should have cut it off after the first three minutes and shitcanned the piano exit.
 
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_Mav_

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The End by the Doors, and really almost everything else by them. Pretentious. Pseudo ā€œpoetryā€. They were huge around the time of the Oliver Stone movie but have since really been sort of forgotten.
Huge? šŸ˜‚ The Doors recorded their last album (and Morrison had been dead) 20 years before Stone’s movie.
 

Dore95

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Huge? šŸ˜‚ The Doors recorded their last album (and Morrison had been dead) 20 years before Stone’s movie.
Well, obviously. But in the 80s and especially the early 90s when that film came out they were regarded as one of a handful of great rock bands. Hugely popular. Ubiquitous on classic rock radio.
 

Tskware

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Well, obviously. But in the 80s and especially the early 90s when that film came out they were regarded as one of a handful of great rock bands. Hugely popular. Ubiquitous on classic rock radio.
Still are but like so many other acts of that era I have heard all their famous songs 10,000 times each
 
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